Emma Griffiths

We sit down with Adrian Morris and Mark Vermaat of Soundmouse to talk about the importance of cue sheets and their work in cue sheet and broadcast reporting.

We speak to award-winning singer-songwriter Chantal Kreviazuk about her life in music and experience with sync licensing and songwriting.

The Top 40 Music Industry Social Media Influencers of 2015, as compiled Nathan Gregory of Three Sixty Deal.

As part of the “Nuances of Music Supervision” panel at the London Sync Sessions, 5 top music supervisors describe their ideal working situations.

We run through the best advice from the indie sync panels at the London Sync Sessions, hosted by SynchAudio and featuring panelists from Vice, SongHunters, and Flavorlab.

We talk sync, musical discovery and working on documentaries with VICE music supervisor Lindsay-Bea Davis.

We run through the top music industry newsletters and blogs to subscribe to, whether you’re an indie musician or a label owner.

We talk to prolific composer Ludovico Einaudi and his publisher about why his music is so syncable.

As part of our spotlight on different worldwide territories we speak to music supervisor Nis Bøgvad about the Danish music industry and sync sector.

We speak to four unsigned, DIY musicians who explain how they have scored syncs and the impact that it’s had on their careers.

We talk Halt and Catch Fire, musical discovery and more in Part 2 of our interview with renowned music supervisor Thomas Golubić.

Artist manager and NYU faculty Marat Berenstein talks us through the key factors involved in music licensing and clearance.