We catch up on this week’s music publishing news, from key deals and signings to new hires, legislation and more.

Spirit Production Music is making it easy for content creators to find the best music for their projects. Here the team takes us through their innovative approach and powerful new site.

We run through the latest and greatest in sync licensing and music supervision over the past fortnight.

As film and TV productions start to open up again, Ben Gilbert examines the potential implications for the sync sector and speaks to experts in this field.

Jenny Oakes addresses the lack of female composers in the music for media space and talks us through all-female production music album 'All Woman'.

Can livestreaming become an economically viable part of the music business in a post-pandemic world? Eamonn Forde investigates...

SyncFloor's Cestjon McFarland looks at how technology can enable effective music discovery and streamline licensing workflows, helping sync revenues to reach new heights in the process.

We catch up on this week’s music publishing news, from key deals and signings to new hires, legislation and more.

We run through the latest and greatest in sync licensing and music supervision over the past fortnight.

We chat to the team behind our client Raedio, the "audio everywhere company" launched by Issa Rae that's changing the game for artists and creators. 

Monica Corton looks at two more platforms that are helping artists to monetize live streamed performances: RoadNation and Stageit.

As the world gradually starts opening up again, here are some of the key areas that are worth the attention of the sync sector.

Introducing SyncLove, a new channel from music discovery platform SyncFloor that sees production professionals dive into their favorite movie music moments.

Synchtank founder Joel T. Jordan speaks to Watt Whit, a music composer and vocalist who has toured with Megadeth and scored OxiClean ads.

We chat to the team behind our client Raedio, the "audio everywhere company" launched by Issa Rae that's changing the game for artists and creators. 

In the next instalment of the series, Synchtank founder Joel T. Jordan speaks to Spek, Founder/President of PopArabia & Executive VP, International & Emerging Markets at Reservoir.

Introducing our new series where Synchtank founder Joel T. Jordan gets to know the creative people in his neighborhood. First up is James Friedman, co-owner of boutique publishing & sync business Passé Publishing.

Jon Bahr on the secret to CD Baby's booming sync operation, creating a fair business for rightsholders, & what the future holds for the post-pandemic music industry.

Wheatus frontman Brendan Brown discusses the band's enduring cult classic “Teenage Dirtbag” and explains why they have spent years re-creating the song.

Big Sync Music's new country managers in France, Germany and Australia explain how they are helping brands to meet their music needs on a global scale.

Pex's SVP Digital Rights Bob Barbiere discusses the company's recent acqusition of Dubset and explains why it has huge implications for music rights holders.

Music supervisors take us behind the scenes of this year's biggest Christmas campaigns, from IKEA to John Lewis, Argos and more...

ICE Services CEO Thorsten Sauer explains how their unique processing hub is tackling the data challenges presented by the digital era and helping rightsholders get paid.

Five Vectors is looking to disrupt the music for gaming space with a unique & data-driven blend of tech & creativity. We chat with co-founder Wasae Imran to find out more...

Ultra Records' Licensing & Copyright Manager Melanie Lane explains how songwriters can safeguard their music and ensure that their publishing information is listed correctly.

Monica Corton looks at two more platforms that are helping artists to monetize live streamed performances: RoadNation and Stageit.

As the world gradually starts opening up again, here are some of the key areas that are worth the attention of the sync sector.

Monica Corton runs through the best services for monetizing live streamed and on-demand performances, starting with Twitch and Cameo.

A look at several areas the music industry needs to address immediately if we want to come out on the other side of this crisis.

We chat to the Association of Independent Music's Guy Lowman to learn how they transformed the AIM Sync Conference into a virtual event.

Here is a list of ways for music creators and companies to continue doing business and earning money during this uncertain time.

We've put together a list of resources to help anyone in the music industry affected by the COVID-19 crisis, including details of available funding, virtual industry events & more.

Kriss Thakrar takes a deep dive into how the music industry has reacted to major economic crises in the past and what we can learn from this today.

There is one factor that when all other things remain equal could win the license for one piece of music over another.

The AIM team run through five reasons why AIM Sync 2020 is an unmissable event for the global rightsholder and sync communities.

Ben Gilbert investigates what role the music business has to play in averting environmental catastrophe, speaking to individuals involved in new organisation Music Declares Emergency.

Music supervisors talk us through the unforgettable music-led moments in movies and television that stood out for them over the past decade.

Looking back at 2019, there were some great examples of recording artists elevating the performance of a film for TV show.

Music supervisors take us behind the scenes of this year's biggest Christmas campaigns, from IKEA to John Lewis, Argos and more...

For this Synchblog Halloween special, we spoke with Rob Lowry about the secrets behind music supervising his acclaimed horror films and television shows.

We chat to Synchtank clients Spirit Music Group, Silva Screen, peermusic, Fox Music, and Music Sales about their 2018 holiday sync successes.

Music supervisor Tiffany Anders has just launched covers focused licensing company Listen Listen Synch, along with music coordinator Taylor Rowley. In honour of the occasion we asked Tiffany to pick her own favourite cover song syncs.

The dissonance between song and action has the power to make a horror movie scene even more terrifying. Here are some of our favourite examples.

Want to know which musical TV moments music supervisors are enjoying in 2018? Check out part 2 of our feature where we ask them to pick their favourite TV syncs of the year so far.

2018 has been a great year for TV, with music playing a huge part in whether a show really works or not. With that in mind, we asked several music supervisors to pick their favourite TV sync placements of the year so far. Here's what they came up with:

Our playlist series spotlighting some of the best songs on TV each month is back! Powered by data from Tunefind, we bring you the 40 most popular TV syncs of each month.

Want to find out what music supervisors are listening to on a daily basis? We've put together a list of our favourite Spotify playlists curated by some of the best in the business. Check them out now:

The Super Bowl is a momentous occasion for the music and advertising world, with pricing for individual syncs this year varying from $100,000 to upwards of $750,000. Without further ado, we bring you the highlights of the Super Bowl LII sync coverage in one place.