Eamonn Forde takes a look at why data apps and analytics for songwriters and music publishers should be more of a priority for DSPs.

We catch up on this week's music publishing headlines, from key deals and signings to new hires, legislation and more.

We sit down with Cosynd CEO Jessica Sobhraj to discuss their game-changing service for creators, the company's evolution, recent copyright legislation and more.

We catch up on this week's music publishing headlines, from key deals and signings to new hires, legislation and more.

We run through the latest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

Artist manager Mark Tavern takes a look at the details involved in a little-known aspect of artist contracts: re-recording restrictions, and examines what they mean for the artist-label relationship moving forward.

We catch up on this week's music publishing headlines, from key deals and signings to new hires, legislation and more.

We run through the latest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

The former EVP/Director of Music at Grey reflects on his time in the music-advertising space so far and the launch of his new consultancy, the Brooklyn Music Experience.

Eamonn Forde investigates the deals, licensing and technology behind hologram tours, the financial benefits they bring to the industry, and the ethical considerations involved in this controversial concert format.

Our client Cutting Edge Group runs through the life cycle of their film scores, from commissioning some of the world's best composers to marketing releases and exploiting them for sync.

We run through the latest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

We catch up with Mark & Jim from Pop-Up Music who recently won the sync jackpot, landing three placements in the latest Tarantino movie, Once Upon A Time In... Hollywood.

We sit down with Cosynd CEO Jessica Sobhraj to discuss their game-changing service for creators, the company's evolution, recent copyright legislation and more.

We sit down with rising artist Samuel Jack to talk musical influences, songwriting, sync, new music and more...

The hotly tipped British pop artist talks to the music agency about her journey so far, Lewis Capaldi, Love Island and how a TV ad sync inspired a fresh new track.

Malaco's co-founder Tommy Couch, Sr. & Film & TV Licensing Executive Louise Black chat survival, the business of soul & blues, & preserving the Malaco legacy for years to come.

Outgoing president Thomas Golubić and incoming president Joel C. High reflect on the achievements of the Guild of Music Supervisors so far and discuss plans for the future.

We chat to our client mVibe's Jeff Van Driel and Chris Jaffe about combining expertise and technology to launch a covers-focused sync platform.

We talk opportunities for Latin music in sync, emerging trends, licensing challenges and more with Warner Chappell's VP Sync Latin, Music Mary Nuñez.

Michael Kauffman explains how the relationship between brands and artists continues to evolve and Clio Music's role in highlighting the most innovative and powerful campaigns.

Consultant Randy Wachtler takes us through some key considerations for music production companies looking to succeed and take their business to the next level.

We sit down with David Weiss, Ramsay Adams and David Hnatiuk to discuss their fantastic new online course, How to Be a Music Supervisor, or Get Heard by One.

We chat to Spotify's Andi Frieder about the streaming platform's collaborations with Film/TV studios over the past few years, from the Stranger Things "Upside Down" mode to the Games of Thrones: The End is Coming playlist.

Artist manager Mark Tavern takes a look at the details involved in a little-known aspect of artist contracts: re-recording restrictions, and examines what they mean for the artist-label relationship moving forward.

Four key areas to focus on in order to avoid catalogue mistakes that will cause future legal and financial issues.

We chat to highly regarded film/TV composer Edward White about his work in the industry, his top tips for aspiring composers, and scoring Warburtons’ new campaign starring Robert De Niro.

Consultant Randy Wachtler takes us through some key considerations for music production companies looking to succeed and take their business to the next level.

Attorney Erin M. Jacobson, Esq. runs through the highlights of the recent AIMP panel, 'Selling a Legacy: Considerations for Buying, Selling, and Administering Music Catalogues'.

Introducing Ask a Sync Expert: our new Q&A page where you send us your sync licensing-related questions and we select the best ones to be answered by experts!

During Midem 2019, key global industry players will give insights, present case studies and consider best practice in the sync field, sharing their views on the current and future landscape through the following programme:

We sit down with David Weiss, Ramsay Adams and David Hnatiuk to discuss their fantastic new online course, How to Be a Music Supervisor, or Get Heard by One.

Attorney Erin M. Jacobson on the basics of copyright terminations and why music rightsholders need to be just as knowledgeable as authors and heirs in order to stay competitive.

Attorney Steven Masur runs through the practical considerations to keep in mind when determining how much to charge for a sync license.

Drake's plan for So Far Gone's 10th anniversary is a model that others can follow to monetize their back catalog. Trapital's Dan Runcie explains how this can be achieved.

Whether you're planning to volunteer, donate, or simply keep them in mind for the future, here are 23 music charities that perhaps might not already be on your radar...

We chat to Synchtank clients Spirit Music Group, Silva Screen, peermusic, Fox Music, and Music Sales about their 2018 holiday sync successes.

Music supervisor Tiffany Anders has just launched covers focused licensing company Listen Listen Synch, along with music coordinator Taylor Rowley. In honour of the occasion we asked Tiffany to pick her own favourite cover song syncs.

The dissonance between song and action has the power to make a horror movie scene even more terrifying. Here are some of our favourite examples.

Want to know which musical TV moments music supervisors are enjoying in 2018? Check out part 2 of our feature where we ask them to pick their favourite TV syncs of the year so far.

2018 has been a great year for TV, with music playing a huge part in whether a show really works or not. With that in mind, we asked several music supervisors to pick their favourite TV sync placements of the year so far. Here's what they came up with:

Our playlist series spotlighting some of the best songs on TV each month is back! Powered by data from Tunefind, we bring you the 40 most popular TV syncs of each month.

Want to find out what music supervisors are listening to on a daily basis? We've put together a list of our favourite Spotify playlists curated by some of the best in the business. Check them out now:

The Super Bowl is a momentous occasion for the music and advertising world, with pricing for individual syncs this year varying from $100,000 to upwards of $750,000. Without further ado, we bring you the highlights of the Super Bowl LII sync coverage in one place.

Brooklyn-based music platform Baeble Music run through their most popular music videos of January 2018, from interviews and live sessions with Andreas Moe, Moon Taxi, Izzy Bizu, CHVRCHΞS and more.

Now that 2017 has passed, the fine folks at Baeble Music run through eight artists to watch out for in 2018.

In the spirit of Halloween, we chat to music supervisors working on two of the most popular horror TV shows: American Horror Story and The Exorcist.

We have launched a brand new playlist to spotlight some of the best uses of music on TV each month. Head on over to Spotify to listen now!