Music strategist Amber Horsburgh's A-Z dictionary of artist brand strategy principles.

The European Parliament’s decision to accept a raft of digital reforms could have widespread ramifications for the music business. Ben Gilbert investigates a significant story for artists, labels and copyright holders.

David Weiss chats to Sweets & Pop founder Leigh Henrich about the challenges and practicalities involved in launching a sync company.

Despite slow adoption and declining hardware sales, key players in the VR space remain optimistic about the technology's potential. So why hasn't the music industry seen any financial benefit yet? Eamonn Forde investigates...

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

In this new monthly feature, we run through the biggest music publishing deals, signings, hires and more.

Content platform Twitch generates a huge amount of revenue, but despite music being used in most of its streams, the music industry doesn't see a penny of it. Ben Gilbert investigates...

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

With famous musicians and industry executives continuing to express their discontent over the current streaming royalty rates for songwriters, Eamonn Forde takes a look at the situation and explains why the solution is not as simple as it appears.

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

In this new monthly feature, we run through the biggest music publishing deals, signings, hires and more.

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

David Weiss chats to Sweets & Pop founder Leigh Henrich about the challenges and practicalities involved in launching a sync company.

We chat to producer/composer Rick Clark about his role at our client Silva Screen Records, what it's like to work with Hans Zimmer, and how the market for film/TV music is evolving.

We talk to Mayra Cortez, Latin Sync Creative at Universal Music Publishing, about opportunities for Latin music in sync, and what's next for a genre of music with such a rich cultural heritage.

Big Sync Music's chief executive and co-founder, Dominic Caisley chats to singer-songwriter Tom Walker about the impact of a huge sync placement, career highlights so far and his upcoming album.

We chat to Sync Director Isabel Arissó about the recently restructured Concord Music, getting familiar with new copyrights, sync strategies and trends, and adjusting to new media types and platforms. 

Ilana Goldstoff, Head of Sync at Sizzer Amsterdam, talks syncing tracks for the likes of Heineken, Volkswagen and Audi at an internationally-operating, multi award-winning music agency.

Is production music finally getting the attention that it deserves? David Weiss chats to the Production Music Association's Chairman Adam Taylor about the opportunities this sector brings to songwriters and rights holders in the golden age of video production.

A Sector of "Remarkable Growth": GMSC President and music supervisor Michael Perlmutter, and music supervisor and Coversion Music/Rocking Horse Road Productions founder Janesta Boudreau explain the significance of the first ever Canadian Sync Awards.

ClicknClear founder Chantal Epp on how she's helping music rightsholders take advantage of an untapped revenue stream estimated to be worth over $670 million globally across a number of sports.

We sit down with Sarah deCourcy to discuss her varied career as a composer, producer, and musician, and the importance of taking control and diversifying your craft as an artist.

Wipe Out Music's Liam Reay takes an in-depth look at music usage in social media, and how this could lead to huge music licensing opportunities for artists. 

Fresh from his double win at the Guild of Music Supervisors Awards, we chat trailer music trends, recent projects and more with Bobby Gumm, Vice President of Music at Trailer Park.

Music strategist Amber Horsburgh's A-Z dictionary of artist brand strategy principles.

Sound Royalties CEO Alex Heiche explains how artists can build their brand and increase their reach in this new pay-per-play era of the music industry.

Want to find out what music supervisors are listening to on a daily basis? We've put together a list of our favourite Spotify playlists curated by some of the best in the business. Check them out now:

There are a few factors that you should always remember while choosing the music for a trailer. This post runs through 5 tips for writing impressive trailer music.

Catch up on the latest music industry news, insights and trends - check out these 10 newsletters covering key topics from the digital music sector to marketing and sync.

A worthwhile networking opportunity or simply an excuse to attend some great parties? We chat to Cloud 9's Steph Perrin to hear her thoughts on whether sync teams should be heading to Cannes this June...

Music strategist Amber Horsburgh brings us another fantastic resource in the form of this detailed music marketing checklist.

We've put together the most comprehensive list out there of key music industry events / conferences worldwide. Bookmark it now.

Point Blank Music School offers up some great advice on what to do – and what not to do – when approaching key bloggers and influencers in the music industry.

Heading to SXSW and looking to learn more about sync and licensing in general? Want to network with some of the industry's top music supervisors? We got you covered.

Music PR specialist Emma Bartholomew looks at when to hire a PR, what to expect from a PR campaign, and specific advice for running sync-specific PR campaigns.

Looking to up your PR game in 2018? Music PR specialist Emma Bartholomew kicks off this 2 part series with 5 key considerations for building your PR strategy.

2018 has been a great year for TV, with music playing a huge part in whether a show really works or not. With that in mind, we asked several music supervisors to pick their favourite TV sync placements of the year so far. Here's what they came up with:

Our playlist series spotlighting some of the best songs on TV each month is back! Powered by data from Tunefind, we bring you the 40 most popular TV syncs of each month.

Want to find out what music supervisors are listening to on a daily basis? We've put together a list of our favourite Spotify playlists curated by some of the best in the business. Check them out now:

From dancing cartoons to dancing FKA Twigs, take a walk down memory lane and select some of Apple's finest commercial moments.

The Super Bowl is a momentous occasion for the music and advertising world, with pricing for individual syncs this year varying from $100,000 to upwards of $750,000. Without further ado, we bring you the highlights of the Super Bowl LII sync coverage in one place.

Brooklyn-based music platform Baeble Music run through their most popular music videos of January 2018, from interviews and live sessions with Andreas Moe, Moon Taxi, Izzy Bizu, CHVRCHΞS and more.

Now that 2017 has passed, the fine folks at Baeble Music run through eight artists to watch out for in 2018.

In the spirit of Halloween, we chat to music supervisors working on two of the most popular horror TV shows: American Horror Story and The Exorcist.

We have launched a brand new playlist to spotlight some of the best uses of music on TV each month. Head on over to Spotify to listen now!

Ahead of the launch of sync focused covers catalogue Coversion, we give you this exclusive premiere of Sarah deCourcy's "A Girl Like You" (feat. Moya).

We chat to Ryan Elder, who composes the music for the best sci-fi show on TV: Rick and Morty. 

2017 was another huge year for Super Bowl advertising. We take a look at some of our favourite music placements from this year's biggest sporting event in the US.