We talk sync, musical discovery and working on documentaries with VICE music supervisor Lindsay-Bea Davis. Hailing from Nova Scotia, Canada, Lindsay-Bae has worked on a number of films and television shows in Los Angeles, as well as partnered with the Canadian Performing Rights Organization, SOCAN, as their Licensing Consultant in Toronto. She has shared her […]
Artist manager and NYU faculty Marat Berenstein talks us through the key factors involved in music licensing and clearance. Read the interview in full here.
We talk to Grammy nominated music supervisor Thomas Golubić about working on some of TV’s most exciting shows including Breaking Bad, Better Call Saul, Halt and Catch Fire, The Walking Dead, Six Feet Under and Turn. Thomas won the Guid of Music Supervisors award for Best Music Supervision in a Television Drama two years in […]
We speak to music supervisor, DJ and New York native Matt “FX” Feldman about working on Skins, Broad City, and more! Read the full interview here.
We speak to music supervisor Vanessa Jorge Perry who helps us to demystify the process of placing music in trailers. Over the past 14 years, Vanessa has been a music supervisor for both television and movie trailers, working at Entertainment Tonight, The Ant Farm, and Aspect Ratio. She’s worked on placements for projects such as […]
Gary Calamar is a music supervisor and KCRW DJ who has worked on some of the most popular shows of the last 10 years including Six Feet Under, Dexter, and True Blood. We talk to Gary about his career highlights so far, his music supervision process, and creating his own music. Read the interview in […]
Mike sits down with music supervisor Tracy McKnight at CMW to talk music in movies and TV. During her time as a music supervisor and throughout her previous role as Head of Film Music for Lionsgate, Tracy has worked on numerous high profile projects from The Hunger Games, Warrior, and The Expendables, to Selma and Triple […]
Mike sits down with Grey NY music producer Ben Dorenfeld at CMW to discuss all things music in advertising. Ben recently supervised music for an international Pringles campaign, produced music for Grey NY’s first campaign with Volvo, and produced music for Pantene’s “Not Sorry” spot, which has gained international attention and was awarded Ad of […]
At Canadian Music Week last month Mike sat down with freelance music supervisor and ex head of music for Elias Arts Jason Kramer. Kramer has worked with brands such as Kia, Pepsi, Target, Lexus, and Toyota, and in 2014 he won the Guild of Music Supervisors Award for Best Music Supervision in Advertising.
In this episode we talk to music supervisor Joel C. High about his background in music supervision, placing music in film and TV, and advice for aspiring music supervisors. Check out Joel C. High’s Advice For Aspiring Music Supervisors on our blog.