Emma Griffiths

We speak to Cinesong‘s Milena Fessmann to learn more about the German sync market.

Part 2 of our interview with Grammy Award-nominated music supervisor Gary Calamar.

We speak to music supervisor Vanessa Jorge Perry who helps us to demystify the process of placing music in trailers.

We talk Six Feet Under, Dexter, True Blood, and more with KCRW DJ and Grammy Award-nominated music supervisor Gary Calamar.

Earlier this year we were lucky enough to chat to music supervisor Tracy McKnight at CMW.

We recently sat down with Natasha Baldwin, Group President of Creative and Marketing at Synchtank client Imagem to discuss all things publishing and sync.

Check out music supervisor Joel C. High‘s great advice for artists and catalogue owners from our webinar last month.

Last month we held a webinar with music supervisor and founder of Creative Control Entertainment Joel C. High (Monster’s Ball, Crash, Weeds, Saw). In this post we look at his advice for aspiring music supervisors.

We recently spoke to the delightful Andrea Madden, music supervisor of the Bafta award-winning TV show Made in Chelsea.

Sync and music licensing in general can be a confusing place full of industry terms and contract lingo. We’ve created an index of the key phrases and terms you need to be aware of:

Check out part 2 of our conversation with Lindsey Smith, music supervisor at Playstation.

Yesterday we held a really insightful webinar about music in games with Playstation music supervisor Lindsey Smith.