The European Parliament’s decision to accept a raft of digital reforms could have widespread ramifications for the music business. Ben Gilbert investigates a significant story for artists, labels and copyright holders.

David Weiss chats to Sweets & Pop founder Leigh Henrich about the challenges and practicalities involved in launching a sync company.

Despite slow adoption and declining hardware sales, key players in the VR space remain optimistic about the technology’s potential. So why hasn’t the music industry seen any financial benefit yet? Eamonn Forde investigates…

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

In this new monthly feature, we run through the biggest music publishing deals, signings, hires and more.

Content platform Twitch generates a huge amount of revenue, but despite music being used in most of its streams, the music industry doesn’t see a penny of it. Ben Gilbert investigates…

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

With famous musicians and industry executives continuing to express their discontent over the current streaming royalty rates for songwriters, Eamonn Forde takes a look at the situation and explains why the solution is not as simple as it appears.

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

In this new monthly feature, we run through the biggest music publishing deals, signings, hires and more.

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

We chat to producer/composer Rick Clark about his role at our client Silva Screen Records, what it’s like to work with Hans Zimmer, and how the market for film/TV music is evolving.