Emma Griffiths

We recently spoke to the delightful Andrea Madden, music supervisor of the Bafta award-winning TV show Made in Chelsea.

Sync and music licensing in general can be a confusing place full of industry terms and contract lingo. We’ve created an index of the key phrases and terms you need to be aware of:

Check out part 2 of our conversation with Lindsey Smith, music supervisor at Playstation.

Yesterday we held a really insightful webinar about music in games with Playstation music supervisor Lindsey Smith.

Last week we held a webinar with Dominic Griffin, VP Licensing of Synchtank client Disney Music Group. Read on for part 2, or check out part 1 now.

This week we held a webinar with Dominic Griffin, VP Licensing of Synchtank client Disney Music Group. Here’s what he had to say…

We sat down with the Synchtank daddy to talk about why he started it, what the company has to offer for organisations big and small, and where things are headed.

Matt Biffa is a hugely respected British music supervisor who has worked on films such as Snatch, Harry Potter, and Paddington. Last week we sat down with Matt over a cup of tea and talked all things music supervision….

Seasonal and holiday periods provide plentiful and potentially lucrative opportunities, but knowing how to find them and pitch for them can be tricky.

It’s Halloween and that gives us a great excuse to write about music in scary films (and eat anything containing sugar). Some of the songs are downright creepy in their own right, some were corrupted by the film. Here’s our top 10:

We recently spoke to Nick Pacelli of Translation and Dan Burt of JWT to find out how they work with music.

A lot of people we speak to (outside the industry) assume that music sync is limited to TV production and movies. Both you and we know that it isn’t.