We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
As film and TV productions start to open up again, Ben Gilbert examines the potential implications for the sync sector and speaks to experts in this field.
Jenny Oakes addresses the lack of female composers in the music for media space and talks us through all-female production music album ‘All Woman’.
Can livestreaming become an economically viable part of the music business in a post-pandemic world? Eamonn Forde investigates…
SyncFloor’s Cestjon McFarland looks at how technology can enable effective music discovery and streamline licensing workflows, helping sync revenues to reach new heights in the process.
We catch up on this week’s music publishing news, from key deals and signings to new hires, legislation and more.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
We chat to the team behind our client Raedio, the “audio everywhere company” launched by Issa Rae that’s changing the game for artists and creators.
Monica Corton looks at two more platforms that are helping artists to monetize live streamed performances: RoadNation and Stageit.
As the world gradually starts opening up again, here are some of the key areas that are worth the attention of the sync sector.
We catch up on this week’s music publishing news, from key deals and signings to new hires, legislation and more.
We run through the latest in sync licensing and music supervision over the past fortnight.
