This Fortnight in Music Supervision and Sync (15/04/22) – How to Get a Job as a Music Supervisor, Sony Invests $1 Billion in Epic Games & More
We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
We catch up on this week’s music publishing news, from key deals and signings to new hires, legislation and more.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
As the major music companies continue to develop their Web3 strategies, Eamonn Forde explores the significant potential for revenue generation and industry growth.
Chastan discusses Iconoclast’s unique approach, the significance of name, image and likeness rights, and why technology is creating an exciting new era for legacy artists.
Trailaurality take us through the key trends and developments in trailer music as we continue to emerge from a global pandemic.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
We dig into the key takeaways from AIM Sync 2022, from licensing trends across gaming and streaming to a comprehensive market overview.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
Catalog now represents 70% of the US music market. Ben Gilbert explores how this could impact the success of new talent across an evolving industry.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight.
Nick Bennett explores how these evolving spaces will interact with brands and therefore music via sync, and what this means for music licensing.