ClicknClear founder Chantal Epp on how she’s helping music rightsholders take advantage of an untapped revenue stream estimated to be worth over $670 million globally across a number of sports.
We sit down with Sarah deCourcy to discuss her varied career as a composer, producer, and musician, and the importance of taking control and diversifying your craft as an artist.
Wipe Out Music‘s Liam Reay takes an in-depth look at music usage in social media, and how this could lead to huge music licensing opportunities for artists.
Fresh from his double win at the Guild of Music Supervisors Awards, we chat trailer music trends, recent projects and more with Bobby Gumm, Vice President of Music at Trailer Park.
Introducing COVERStories, a new Synchblog series created by the team at Coversion! First up – music supervisor Dondrea Eraw chats placing a cover song in a TV show love scene.
As 2018 approaches we count down our 10 most popular blog posts of the last year, from trends in trailer music to interviews with music supervisors and other sync professionals.
We recently sat down with Jay Kay Media Inc.‘s Juliana Koranteng to discuss the current state of sync and the music industry, and how digital is disrupting the entertainment and media industries as a whole.
We talk sync, the digital music landscape and Nashville’s “other” music community with Sorted Noise co-founder Josh Collum.
What role does sync licensing play in keeping new talent afloat in the music industry? Liam Reay of Wipe Out Music takes a look at sync from the other side.
We caught up with our client Bucks Music Group‘s award-winning sync team to chat recent signings/placements and the secret to their success as a leading independent music publisher.
In the spirit of Halloween, we chat to music supervisors working on two of the most popular horror TV shows: American Horror Story and The Exorcist.
We chat to Matthew Smith, CEO of rights marketplace platform Royalty Exchange about how the company is revolutionising the music royalties market.
