We chat to Drew Silverstein, CEO of AI-powered music composition platform Amper Music, about how artificial intelligence will shape the future of music.
For the first instalment of our ‘Women in Sync’ series, in association with global Women in Music network shesaid.so, we chat to the all-female Manners McDade sync team.
We chat to Charlotte Seibert, Synch & Licensing Manager at our client Silva Screen Records / So Recordings, about recent sync placements, being the go-to source for film music, and future plans for the label.
We catch up with London producer and songwriter Eddy Atlantis, signed to our client Imagem Music, to chat musical influences, sync, new releases and more
We chat to Jim Brackpool, Head of Music at our client BT Sport, about running a successful broadcaster music department, recent artist features, and taking home two Music Week Sync Awards.
We chat to music supervisor Lindsay Wolfington about her work on shows like The Royals, One Tree Hill, and ShadowHunters.
What’s it like to music supervise the biggest, most expensive, and wonderfully ridiculous car show out there? Matt Kaleda of Felt Music talks us through the process of working on The Grand Tour.
As this year’s much-awaited John Lewis Christmas advert ‘Buster the Boxer’ hits our screens, we chat to music supervisor Abi Leland about finding the right track for the campaign.
We chat to Laura Katz about her time leading Cutting Edge’s Music Services in Los Angeles, and launching Supe Troop, her very own music supervision company.
Entertainment industry veteran Tarquin Gotch chats to us about his time in A&R, working with the brilliant John Hughes on films like Ferris Bueller’s Day Off, managing AC/DC’s Brian Johnson, and more.
We chat to Andy Leighton, music publisher of The Rocky Horror Show, about his involvement in the pop culture phenomenon as well as more recent projects.
We catch up with Josh Rabinowitz, EVP Director of Music for the Grey Group, to discuss the first ever Entertainment Lions for Music.
