Interviews

Peter Raleigh discusses representing the Elvis catalog and recent placements in an Apple Watch commercial and the Baz Luhrmann Elvis biopic.

Mozaic (FKA Jammber) CEO Marcus Cobb on the company’s mission to become the de facto platform for sharing royalties, payments and credits.

Deborah Mannis-Gardner discusses the challenges of clearing music in the metaverse and her mission to future-proof music licensing for new technologies.

In our brand new Client Sync of the Month Deep Dive feature we’re spotlighting some of our clients’ most exicting placements and delving into the stories behind them.

Blokur Founder and CEO Phil Barry discusses improving music rights infrastructures to capitalise on an “era of golden opportunity” for the industry.

Eric Shaw on pitching legendary songs for advertising opportunities and the most interesting developments across the music publishing sector.

Audoo is helping artists and rights holders get paid more accurately with its tracking and music recognition technology. CMO Alex Futcher tells us more.

Chastan discusses Iconoclast’s unique approach, the significance of name, image and likeness rights, and why technology is creating an exciting new era for legacy artists. 

Joel speaks to Meg Berry, a #1 Top 40 singer-songwriter-producer and a functional strength and regenerative fitness expert, consultant and mentor.

In the latest SyncLove episode, Josh Rabinowitz chooses A Clockwork Orange as the highlighted film and soundtrack for discussion.

For Heather Boyd, Vanilla Sky (2001; music supervisor: Danny Bramson) was a “career inspiring” film that “got me interested in sync and music supervision.”

The Erased Tapes Music team discuss the evolution of the company and the challenges and opportunities in today’s music publishing landscape.