Here is how the publishing world has risen to the threat and what it is doing to safeguard the business and its writers for the future.
Vickie Nauman of CrossBorderWorks and Sara Lord of Concord Music Publishing give us insight into the new music licensing frontiers on their radar.
Eamonn Forde takes a look at Spotify’s new Songwriter Pages and the opportunities this new feature brings to writers and publishers.
Eamonn Forde takes a deep dive into the business of Super Bowl sync placements and the music licensing deals behind this momentous sporting event.
With lyrics becoming more commonplace in artist merchandise, Eamonn Forde takes a look at the business and opportunities associated with this area of music licensing.
Eamonn Forde looks back on the past year in music publishing, from major deals and the booming catalogue acquisition space to ongoing disputes with DSPs.
Eamonn Forde takes a look at the booming catalogue acquisition landscape and the investors involved, both within the industry and outside of it.
PRS’s Tim Arber talks to us about the development of the dashboard, how it works, where it fits into the wider marketplace and how it will expand next.
Eamonn Forde looks at the ethical concerns and questions surrounding the use of Gary Glitter’s ‘Rock & Roll Part 2’ in Joker.
The kids music market is booming. Eamonn Forde takes a look at how labels, publishers, DSPs and more are taking advantage of this increasingly powerful demographic.
Eamonn Forde takes a look at the issues associated with dance/electronic music royalties and the technology solutions and initiatives being employed in the space.
Eamonn Forde takes a look at why data apps and analytics for songwriters and music publishers should be more of a priority for DSPs.