Emma Griffiths

We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.

We chat to Andy Leighton, music publisher of The Rocky Horror Show, about his involvement in the pop culture phenomenon as well as more recent projects.

We catch up with Josh Rabinowitz, EVP Director of Music for the Grey Group, to discuss the first ever Entertainment Lions for Music.

A quick guide to our client BT Sport‘s approach to music, and the sync and promotional opportunities that they offer to artists.

We checked out the ‘Your back catalogue is a gold mine: make the most out of it!’ panel at #Midem 2016. Here’s what we learnt:

We caught up with Peter Raleigh, co founder of our client Raleigh Music Group, during Midem 2016 to discuss representing American standards, re-gaining musical rights, and focusing on great customer service.

During Midem we chatted to music publisher, entrepreneur, mentor, and Midem pioneer Roland Kluger.

A summary of the key points discussed during the ‘Music Supervisors: The do’s and don’ts of sync’ panel at #midem 2016.

We run through the key sync and music supervision panels at Midem 2016.

Our client SynchAudio chats to Toronto-based music supervisor Mikaila Simmons at CMW’s Sync Summit 2016.

We chat to Toronto-based Cymba Music Publishing about their current projects and the Canadian music industry.

WhoSampled‘s Chris Read takes us through the technical, creative, and legal best practices of music sampling, as well as tips to monetize music for sampling.