Advice

Artist manager and NYU faculty Marat Berenstein talks us through the key factors involved in music licensing and clearance.

Part 2 of our interview with ex head of the Virgin, Chrysalis and Stage Three publishing companies Steve Lewis.

Check out music supervisor Joel C. High‘s great advice for artists and catalogue owners from our webinar last month.

Last month we held a webinar with music supervisor and founder of Creative Control Entertainment Joel C. High (Monster’s Ball, Crash, Weeds, Saw). In this post we look at his advice for aspiring music supervisors.

What music supervisors wish you knew…but were too afraid to tell you. A guest post by PlutonicGroupSyncs‘ Pam Lewis-Rudden.

Sync and music licensing in general can be a confusing place full of industry terms and contract lingo. We’ve created an index of the key phrases and terms you need to be aware of:

Check out part 2 of our conversation with Lindsey Smith, music supervisor at Playstation.

What’s the long tail? The long tail is the 100’s, nay 1,000’s, of low-value sync licenses that just aren’t being fulfilled. In other words those $20/$100/$200/$300 licenses for corporate presentations, short videos, internal productions that are being missed.