This Fortnight In Music Royalties (02/02/18): Enrique Iglesias vs. Universal, Spotify Adds Songwriter Credits
Our friends at Royalty Exchange round up and analyze the top news stories of the last week in music royalties.
Our friends at Royalty Exchange round up and analyze the top news stories of the last week in music royalties.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.
Having recently secured licensing agreements with some of the industry’s biggest players, Facebook is gearing up for a serious push into music. But how has it faired so far in its relationship with rights holders? And what will these deals mean for the music world? Eamonn Forde takes a look…
In part 2 we look at 5 more companies making a name for themselves by working with music royalties, including Vezt and SoundHouse.
Our friends at Royalty Exchange round up and analyze the top news stories of the last week in music royalties.
In this 2 part series we take a look at 8 companies changing the game and making a name for themselves by working with royalties.
In the following post, data experts BMAT discuss the issue of melody scarcity and whether technology is the determining factor in detecting just how similar two songs really are.
We run through the latest and greatest in sync licensing and music supervision over the past fortnight, including the latest industry news, advice, and deals.
It’s not the first time the company has come under fire for not paying licenses, but it’s the biggest case by far.
As 2018 approaches we count down our 10 most popular blog posts of the last year, from trends in trailer music to interviews with music supervisors and other sync professionals.
The business of sync licensing remains a key revenue stream for music rights holders. But what did this year hold for the sync sector? We take a look through some of the figures and trends in 2017.
We recently sat down with Jay Kay Media Inc.‘s Juliana Koranteng to discuss the current state of sync and the music industry, and how digital is disrupting the entertainment and media industries as a whole.