In the next instalment of Money Moves, Josh Gruss discusses Round Hill’s key interest in country and rock and the development of the music royalties investment market.
Music supervisor Ryan Neill takes us through the unique challenges he faced with new Blumhouse-produced thriller Nocturne.
David Weitzman discusses the factors driving a “bullish” catalog acquisition market, and the deals and expertise which shape Primary Wave’s strategy.
In the following instalment of SyncLove, award-winning filmmaker Vlada Knowlton explores the use of music in psychological drama Magnolia.
NMPA President and CEO David Israelite discusses the future of the music publishing industry, from the impact of Covid-19 and other challenges to new opportunities.
In the following installment of SyncLove, advertising production executive Jon Drawbaugh explores the use of music in Once Upon a Time in Hollywood.
In the latest instalment of our series, software architect Mike Trzcianowski talks building solutions for the music, media and entertainment industries.
Bopper is disrupting the music for advertising space with its pre-cleared platform for sourcing and licensing commercial music. Co-founder Phil Messier tell us more.
ANote Music co-founder Marzio Schena talks us through the investment platform that aims to “make music royalties globally accessible to all.”
Synchtank’s Joel T. Jordan chats to Emmy award-winning audio engineer & composer Bill Bressler about his route into the industry, what his job entails, his first video game project & more.
Introducing SyncLove, a new channel from music discovery platform SyncFloor that sees production professionals dive into their favorite movie music moments.
Synchtank founder Joel T. Jordan speaks to Watt Whit, a music composer and vocalist who has toured with Megadeth and scored OxiClean ads.
